Quantum Portriture

This portrait was done of @instantBanana 

 As an artist I follow my instinct, I lay down a number of marks without a reason other than it belongs there. This may resonate with more people when we are talking abstraction than when talking about portraiture or a work that has a narrative. But it is not really not different for any of that when it comes to my making. Of course when artwork become formulaic things change dramatically and this idea breaks down pretty quick so I will not be addressing artwork made by assistants or in a factory format. For me, in my practice, I try to make very few choices, it starts with mark-making and grows from there. I can tell thoughts are coming in and some of my marks become reactions to what was put down that is okay as far as I am concerned. If my mind wanders, that also is okay. Where it stops being okay is when I like or don't like something, when arbitrary rules get in the way of the creation process, and when I have preference or revert to formula.

When it comes to portraiture it is no different than any other artwork except everything on the page will be organized in a specific way. After observing my surroundings for 41 years I have a lot of material in my mind all stored up that I can use.  If you were to ask me to draw a specific eye or nose, in all honesty I probably would not be able to do it without a bit of frustration with trying to get it right. The problem is there is no "right." In the hypothesis the request is outrageous. If I as an artist set out to recreate something there will be inspiration behind that driving it, there will be purpose. If I am setting out to make something beautiful, I will, as far as I am concerned, if my goal is to make something you think is beautiful I will research what you think is beautiful and let go knowing that I will find that which you think is beautiful.

Having faith in inspiration is how these will be created. I do not want to question if something is right or wrong, that is not a natural thing to do. Animals act to what is and if that changes they change. How much proof do I need know that I am making the right decision or doing the right thing? I know I am doing the right thing because it is what I am doing, but still I doubt it all the time. I look at myself and ask "What the fuck are you doing?" "How the hell is this gonna work?" mired in doubt I continue to move ahead. To what? To where? I could not tell you and that seems to be the best because anything is possible from there. I may be delusional but if I am it is fun none the less, but stressful at times as well.

So my new portrait adventure is to do portraits of people I am connected with but never seen. I feel like I am up for also doing portraits of people I have met before of course, at this point though I think knowing what they look like would be a bit of a hindrance. It is not easy to let go to inspiration completely when I also have ideas of what I ought to be doing. Reach out to me if you want to have a portrait session with me, especially if we have never met.

Visual Language and Portrait Counseling

Today we are not well versed in visual language, there are many studies out that tell us how we react to visual stimuli but very little research or study done to how to decipher that which is created. Most of the research being done is done for marketing so it's not always done with the best intentions. On the other hand there is of course art therapy. There is a big difference between what I am developing, Portrait Counseling, and art therapy though,  because the art being made in Portrait Counseling is guided by the intuition of a trained artist and practiced in meditative practices. In Art Therapy the art is made by the patient and they may know nothing about the issues they are facing but the art finds a way to talk to us and search for a solution.

During the portrait session, in Portrait Counseling, the counselor connects in a way we have been driven to connect for as long as people have made art, through the portrait.  Through looking, and this is not limited to be with the eyes; I see the hugging saint Amma as someone who renders portraits through hugs, I connect, communicate and allow myself to be spoken to through paint. It is a purposeful looking and connecting. It is less for achieving a likeness than it is for achieving a bond.

Although the ability exists for an artist to make a flattering portrait of a person is it less likely to hold true connection and honesty. For an artist, one trained in the crafts of rendering, it is not difficult to recreate a likeness on the page, but when there is an attempt to recreate a likeness, the artist’s attention is on themself, and what the client wants, the artists works from a place of being pressured; this may not be that case when the artist is being hired for their insight and working style, but most artists do not get hired with that agreement presupposed. The connection is only made possible by not thinking of the likeness, although the bust of the client is the center focus of where and how the image will form itself, the portrait is made more from the aether.

“The aim of art is to represent not the outward appearance of things,but their inner significance: for this, not the external manner and detail, constitutes true reality”

- Aristotle

Portraiture, in art history has an important place dating back to prehistoric times. We can see evidence today of ancient Egyptian portraiture which is the oldest and, most likely, most notable. These were highly stylized of course, but that was a primary form of communication, we lack that sort of visual communication style today.

The question arises, is portraiture the means of communication or is communicating the purpose for the portrait. Either way portraiture and communicating are going hand in hand.

I present to you the claim that honest connection between an artist and their source can open pathways that previously were closed. We accept that meditation is a way that we can center, and hear the voice of the universe or god. It has been proven within the organizations that we trust for information regarding the weird wonky world of the unseen. Both science and religion would not hesitate, when in a space they can speak honestly, to say that meditation (prayer) works towards your overall health.

We also accept that group meditation or prayer is a stronger form of this. Of course group dynamics can alter or disrupt those benefits so, and although organizations like churches and yoga or meditation studios won’t suggest this often, it is always good to explore new groups and new approaches to one's self realization practices. It has still been proven that connections among multiple people can more quickly calm the body and mind and affect things as simple but important as breathing to things as complex and mysterious as cancer. Group meditations can affect things as well as others as well as the efforts of groups like UNIFY, the Wash Alliance, Uplift and others prove.

Under these circumstances both more is better and less is more. I fill the space with less distraction, less intervention, less judgment and at the same time be more, more connected more aware, more present and allow that to drive the moment. I begin by intending to connect through the oneness that has existed since, if not before the Big Bang, the oneness that we all are, the oneness that all is connected to. That connection drives the creation of the portrait. upon completion the client reads, harnesses, and tames the painting. They see themselves, it is a book of sorts for them to read their own story. It is easier for a client to say the portrait looks angry, when they see anger around them because they are angry. 

Science has proven to us that what we are experiencing is a mirror of what we see in the world so to create an image of someone and to ask them to study it for a few days is an exercise that will give me a clear vision of how they see themselves and where to prod a bit to open their eyes to the blocks that they are experiencing. this is not comfortable but as we see in every other mime on Facebook, growth exists outside the comfort zone. Come with me and lets find some of those blocks in you 773-843-1794.

Portrait Counseling : See Yourself and Love Yourself (some initial thoughts)

Portrait Counseling starts by accepting the ancient idea that we are all connected, that we are all one. Whether that be through a god, the quantum unified field, cosmic consciousness or any other of the myriad way we have discussed all being connected. Accepting that we all harness that which is in everything, allows the patient and counselor to immerse themselves into the sub-conscience, connecting them to that which is all of us.

In Portrait Counseling, like in traditional cognitive behavioral therapy (CBT), there is fluid discussion to find repeating patterns of thought that may be in conflict with the desired goals of the client. Portrait Counselling is unique to traditional CBT in that it adds the portrait process to the initial session. Portraiture allows the counselor to focus on the the client while discussing issues or diverging thoughts. This process wholly entangles the artist and the person who they are rendering. During this process there is information shared and the focus and intuitive concentration of the counselor it spelled out within the portrait. During this initial 2 hour session the conversation may ebb and flow over a variety of topics, the whole time bringing the client and counselor closer, understanding and sharing through the intimacy of entanglement.

The counselor, or artist, then trusts that connection allowing them to create during the session. As the discussion flows and the patient shares the counselor allows intuition and spirit to guide them. Although written notes may be taken, the portrait is the primary record of the session. Upon completion of the portrait and the session there is a dialogue about what was create and what ideas get stirred by the portrait. The patient is encouraged to reflect on the portrait over the following days taking notes as to what thoughts arise from the portrait, what may be frustrating or comforting to them. The counselor is given the same task and notes ideas that came up during the process of making the portrait. It is important to understand what information there is for the patient to glean, and what information is solely that of the artist.The relationship between the patient and counselor grows over time and it is important that these portraits not be seen as finished artworks but as bi-products of the work being done.    

The goal of this type of counseling is for there to be a greater understanding of self. Trusting our path, and that we are all on a path contributing to all that is, is a great step to loving deeper. Looking at oneself is not always easy, we are critical and can see past mistakes much clearer than we can see future success. Blame is often a way to divert that which we will eventually take responsibility for, and Portrait Counseling can help ease that transition so that we can more easily stand up for what we want rather than be distracted but what we are told to want.

This processes will not open you to to anything you are already not open to. If you hold beliefs that you no longer want to hold, this process can open a path to letting go of those things you are ready to let go of. Looking at yourself is not easy especially when done from a place of entanglement with another person. When you are alone you can hide from yourself, but when you are seen there is nowhere to hide, and you will find that the instinct to allow and be yourself will overwhelm you, love will be there to hold you, and moving forward will happen when you are ready.