If you are reading this I can assume you go to art shows often enough to warrant reading an arts blog. Whether that is true or not, I am sure Tipping Observation at the Mars Gallery would be one of the most shiny show you would come across in, and for, quite some time.
Syndy Ziegenfuss' work consists of painting, collage, I am sure some printmaking as well as other sorts of mark making. What seems to separate Syndy's work from other collage/mixed medium works is partly their size, all of these works are 50" X 50". In their presence you are almost enveloped, an illustration that was once only 3 inches now looms, life size, in front of you, kind of both creepy and kitschy.
Now on to the shiny part. These large collages are covered by a thick blanket of resin, poured by Syndy's wife, it is like the tables at Lazo's on Western. This resin covers everything, and at first being in front of these works is fun and playful. That doesn't last however mainly because of the standard quality of each piece.
We often find ourselves in front of paintings or prints or even collages and the surface quality changes. Maybe not within the same piece but between works there are usually some changes in the surface, but not in this case. There are numerous studies about how when you eat something, with a distinct texture, your mouth gets tired and bored quickly. I would use that same analogy about my eyes in an art show that utilizes the same exact surface quality throughout. Individually, or part of a group show these works would stand out because of their approachability and surface, unfortunately those qualities do not stand up in this case.